Browse

At the center of the world-famous pyramid field of the Memphite necropolis lies a group of pyramids, temples, and tombs named after the nearby village of Abusir. Long overshadowed by the more familiar pyramids at Giza and Saqqara, this area has nonetheless been the site, for the last fifty years, of an extensive operation to discover its past. This thoroughly updated in-depth book documents the uncovering by a dedicated team of Czech archaeologists of a hitherto neglected wealth of ancient remains dating from the Old Kingdom to the Late Period. This is Abusir, realm of Osiris, God of the dead, and its story is one of both modern archaeology and the long-buried mysteries that it seeks to uncover.

Few works about the Middle East have exerted such wide and long-lasting influence as Edward William Lane’s An Account of the Manners and Customs of the Modern Egyptians. First published in 1836, this classic book has never gone out of print, continuously providing material and inspiration for generations of scholars, writers, and travelers, who have praised its comprehensiveness, detail, and perception. Yet the editions in print during most of the twentieth century would not have met Lane’s approval. Lacking parts of Lane’s text and many of his original illustrations (while adding many that were not his), they were based on what should have been ephemeral editions, published long after the author’s death. Meanwhile, the definitive fifth edition of 1860, the result of a quarter century of Lane’s corrections, reconsiderations, and additions, long ago disappeared from bookstore shelves. Now the 1860 edition of Manners and Customs of the Modern Egyptians is available again, with a useful general introduction by Jason Thompson. Lane’s greatest work enters the twenty-first century in precisely the form that he wanted.

During the half-millennium from the eleventh through the sixth centuries BC, the power and the glory of the imperial pharaohs of the New Kingdom crumbled in the face of internal crises and external pressures, ultimately reversed by invaders from Nubia and consolidated by natives of the Nile Delta following a series of Assyrian invasions. Much of this era remains obscure, with little consensus among Egyptologists. Against this background, the author reconsiders the evidence and proposes a number of new solutions to the problems of the period. He also considers the art, architecture, and archaeology of the period, including the royal tombs of Tanis, one of which yielded the intact burials of no fewer than five pharaohs. The book is extensively illustrated with images of this material, much of which is little known to non-specialists of the period. An examination (evidenced on monuments and inscriptions) of how the many kings of this period should be fitted into the dynastic structure listed by Manetho. By the author of the bestselling Amarna Sunset and Poisoned Legacy.

Some of the most fascinating sculptures to have survived from ancient Egypt are the colossal statues of Akhenaten, erected at the beginning of his reign in his new temple to the Aten at Karnak. Fragments of more than thirty statues are now known, showing the paradoxical features combining male and female, young and aged, characteristic of representations of this king. Did he look like this in real life? Or was his iconography skillfully devised to mirror his concept of his role in the universe? This book presents the history of the discovery of the statue fragments from 1925 to the present day; the profusion of opinions on the appearance of the king and his alleged medical conditions; and the various suggestions for an interpretation of the perplexing evidence. A complete catalog of all major fragments is included, as well as many pictures not previously published.

The latter part of the fifteenth century BC saw Egypt's political power reach its zenith, with an empire that stretched from beyond the Euphrates in the north to much of what is now Sudan in the south. The wealth that flowed into Egypt allowed its kings to commission some of the most stupendous temples of all time, some of the greatest dedicated to Amun-Re, King of the Gods. Yet a century later these temples lay derelict, the god's images, names, and titles all erased in an orgy of iconoclasm by Akhenaten, the devotee of a single sun-god. This book traces the history of Egypt from the death of the great warrior-king Thutmose III to the high point of Akhenaten's reign, when the known world brought gifts to his newly-built capital city of Amarna, in particular looking at the way in which the cult of the sun became increasingly important to even ‘orthodox’ kings, culminating in the transformation of Akhenaten's father, Amenhotep III, into a solar deity in his own right.

This study, drawing on the latest research, tells the story of the decline and fall of the pharaoh Akhenaten's religious revolution in the fourteenth century BC. Beginning at the regime's high-point in his Year 12, it traces the subsequent collapse that saw the deaths of many of the king's loved ones, his attempts to guarantee the revolution through co-rulers, and the last frenzied assault on the god Amun. The book then outlines the events of the subsequent five decades that saw the extinction of the royal line, an attempt to place a foreigner on Egypt's throne, and the accession of three army officers in turn. Among its conclusions are that the mother of Tutankhamun was none other than Nefertiti, and that the queen was joint-pharaoh in turn with both her husband Akhenaten and her son. As such, she was herself instrumental in beginning the return to orthodoxy, undoing her erstwhile husband's life-work before her own mysterious disappearance.

This book combines economic, ideological, and aesthetic narrative history with thought-provoking analysis. It provides an overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egypt's market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, the book shows how indigenous and external factors combine in a dynamic process of cultural repackaging. This text has been updated to reflect cultural shifts in the last ten years of cinema. The book has a strong focus on Iraq, Lebanon, and Palestine. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this edition introduces readers to some of the most compelling cinematic works of the last decade.

In addition to its emphasis on the primacy of change and dynamics rather than static snapshots, this book looks critically at development studies and policies. Originally prepared as the tenth-anniversary volume of the UNDP's series of Arab Human Development Reports, Arab Human Development in the Twenty-first Century inventories existing knowledge to present an integrated and coherent report through the systematic application of its political-economy framework. It places empowerment at the center of human development in the Arab world, away from the dominant existing “securocracy” state. Empowerment is viewed not only from the vantage point of a more equitable distribution of economic resources but also of fundamental legal, educational, and political reform to promote state-society partnership. The book's ten chapters look back at what Arab countries have achieved since the early 2000s and forward to what remains to be done to reach equitable development. Supported by a wealth of statistical material, they cover the rule of law, the evolution of media, the persistence of corruption, the draining of resources through conflict mismanagement, the dominance and increase of poverty, the environment and its daily impact, and religious education and identity. The concluding chapter attempts a critical inventory of the world literature and different experiences of democratic transition to explore where the region could be heading. This critical and timely study is indispensable reading for Middle East scholars and students alike, as well as for anyone with an interest in the future trajectory of development analyses and policies in the global south.

This book presents an up-to-date study on Youssef Chahine's work. The methodological approach of the book, and more precisely the discussion of the theme of Arab national unity from a post-colonial point of view, emphasizes the ideological underpinnings of this Egyptian director's themes as well as his esthetics. The book focuses on the interaction between Chahine's personal and political preoccupations, his eclectic cinematic style, and his devotion to connecting with a wide audience of filmgoers.

This book tries to answer three questions: 1) A ‘why’ question: the reason we have been surprised by the arrival of the ‘Arab Spring.’ Do we have the right conceptual lenses to understand the region and its different political interactions? 2) A ‘who’ question: the number and type of different groups that launched the protests and occupied Al-Tahrir Square. 3) A ‘how’ question: the way these spontaneous groups coalesced together, overpowered police forces and finally forced former President Mubarak to resign after almost 30 years in power. In addition to the introduction, the book's 13 chapters are regrouped into four parts. These deal with the resistance and limits of authoritarian rule, group dynamics in Tahrir, an attempt to go beyond the immediate and looking ahead. The book has a general bibliography and some appendices of several historical documents of the period as well as a sample of Tahrir slogans.

This book provides a critical review of Arab women writers from the last quarter of the nineteenth century to the end of the twentieth century. This study—first published in Arabic in 2004—looks at the work of pioneers and then traces the development of Arab women's literature through the end of the twentieth century, and also includes a researched, comprehensive bibliography of writing by Arab women. In the first section nine chapters that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen examine the origin and evolution of women's writing in each country in the region, addressing fiction, poetry, drama, and autobiographical writing. The second part of the volume contains bibliographical entries for over 1,200 Arab women writers from the last third of the nineteenth century through 1999. Each entry contains a short biography and a bibliography of each author's published works. This section also includes Arab women's writing in French and English, as well as a bibliography of works translated into English.

This book offers an unique window onto the social history of Cairo in the eighteenth century. Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo's Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo's then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, this book offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Ottoman Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Al-Armani's life and career tell us much about the immediate world to which he belonged and about the wider context of the Ottoman Empire, which constituted a vast trading area under a single juridical whole.

This book presents a history of Old Cairo based on new archaeological evidence gathered between 2000 and 2006 during a major project to lower the groundwater level affecting the churches and monuments of this area of Cairo known by the Romans as Babylon. Examination of the material and structural remains revealed a sequence of continuous occupation extending from the sixth century BC to the present day. These include the massive stone walls of the canal linking the Nile to the Red Sea, and the harbor constructed by Trajan at its entrance around 110 AD. The Emperor Diocletian built the fortress of Babylon around the harbor and the canal in 300 AD, and much new information has come to light concerning the construction and internal layout of the fortress, which continues to enclose and define the enclave of Old Cairo. Important evidence for the early medieval transformation of the area into the nucleus of the Arab city of al-Fustat and its later medieval development is also presented.

The main objective of this book is to explore the dynamics of the bazaar within a broad socio-spatial and political perspective by investigating a number of case studies from North Africa to the Middle East. It includes papers on different facets of the bazaar from historical, architectural, sociological, and anthropological perspectives. The Middle Eastern bazaar is much more than a context for commerce: the studies in this book illustrate that markets, regardless of their location, scale, and permanency, have also played important cultural roles within their societies, reflecting historical evolution, industrial development, social and political conditions, urban morphology, and architectural functions. This interdisciplinary volume explores the dynamics of the bazaar with a number of case studies from Cairo, Damascus, Aleppo, Nablus, Bursa, Istanbul, Sana'a, Kabul, Tehran, and Yazd. Although they share some contextual and functional characteristics, each bazaar has its own unique and fascinating history, traditions, cultural practices, and structure. One of the most intriguing aspects revealed in this volume is the thread of continuity from past to present exhibited by the bazaar as a forum where a society meets and intermingles in the practice of goods exchange—a social and cultural ritual that is as old as human history.

Sustainable development and environmental change have become two of the watchwords of the new century. But what do they mean for ordinary people living in some of the harshest environments in the world, where survival is the driving force? This book sets out to examine these issues and how they affect, and are affected by, Bedouin communities living in the arid areas of the Nubian Desert in southeastern Egypt. Written by a joint Egyptian, Russian, and British research team, the book seeks to examine how the Bedouin of this area have coped with the environmental changes brought about after the construction of the Aswan High Dam and resulting formation of Lake Nasser. After documenting the nature of these changes, the chapters show the practical and strategic ways in which the Bedouin have responded by adapting both their use of environmental resources and the social and economic dimensions of their community. The book argues that people in these communities are active agents of change and must not be seen as passive victims. For them, sustainable development and environmental change are not abstract academic debates, but real-life, everyday issues around which they must organize their lives.

Street children—abandoned or runaway children living on their own—can be found in cities all over the world, and their numbers are growing despite numerous international programs aimed at helping them. All too frequently, these children are viewed solely as victims or deviants to be rescued and rehabilitated. This book draws on eight years of fieldwork with street children in Cairo to portray them in a much different—and empowering—light. The book argues that, far from being mere victims or deviants, these children, in running away from alienating home lives and finding relative freedom in the street, are capable of actively defining their situations in their own terms. They are able to challenge the roles assigned to children, make judgments, and develop a network of niches and resources in a teeming metropolis such as Cairo. It is suggested that social workers and others need to respect the agency the children display in changing their own lives. In addition to collective advocacy with and on behalf of street children, social workers should empower them by encouraging their voluntary participation in non-formal educational activities.

This cross-disciplinary, ethnographic, contextualized, and empirical book explores the meaning and significance of urban space, and maps the spatial inscription of power on the mega-city of Cairo. Suspicious of collective life and averse to power-sharing, Egyptian governance structures weaken but do not stop the public's role in the remaking of their city. What happens to a city where neo-liberalism has scaled back public services and encouraged the privatization of public goods, while the vast majority cannot afford the effects of such policies? Who wins and losses in the “march to the modern and the global” as the government transforms urban spaces and markets in the name of growth, security, tourism, and modernity? How do Cairenes struggle with an ambiguous and vulnerable legal and bureaucratic environment when legality is a privilege affordable only to the few or the connected? This companion to Cairo Cosmopolitan (AUC Press, 2006) further develops the central insights of the Cairo School of Urban Studies.

In the cities of the Arab world, while the media focus overwhelmingly on questions of religiosity and war, the future of urban modernity and political globalism is taking shape. As the Egyptian state reaches out to capture the apparent promises of neoliberalism, Cairenes struggle over and redefine their place, identity, and material welfare. Bringing together an interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt's future in desert cities while stigmatizing and neglecting Cairo's popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today's Middle East. Luxury malls owned by the military or foreign investors compete with flourishing but criminalized open-air markets; Nubian, Upper Egyptian, and labor-migrant identities confront a renaissance of Arab nationalism; and chic new coffee houses, crumbling movie palaces, and resurgent working-class cultures offer radically clashing versions of public and gender sociability. This volume launches the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame. Cairo shows us that divergent cosmopolitanisms—both elite and working-class—are emerging across a broad spectrum of the polity, making new claims for political space.

One night in the year 411/1021, the powerful ruler of Fatimid Cairo, al-Hakim bi-Amr Allah, rode out of the southern gates of his city and was never seen again. Was the caliph murdered, or could he have decided to abandon his royal life, wandering off to live alone and anonymous? Whatever the truth, the fact was that al-Hakim had literally vanished into the desert. Yet al-Hakim, though shrouded in mystery, has never been forgotten. To the Druze, he was (and is) God, and his disappearance merely indicated his reversion to non-human form. For Ismailis, al-Hakim was the sixteenth imam, descended from the Prophet, and infallible. Jews and Christians, by contrast, long remembered him as their persecutor, who ordered the destruction of many of their synagogues and churches. This book presents a biography of this fascinating individual.

In the era of globalization, change is the order of the day, but the conventional view of the Arab Middle East is that of a rigid and even stagnant region. This book counters the static perception and focuses instead on regional dynamics. After first discussing types of change, identifying catalysts, and tracing the evolution of the region over the last sixty years, the team of contributors go on to evaluate the development of Arab civil society; examine the opportunities and challenges facing the Arab media; link the debates concerning Arab political thought to the evolving regional and international context; look at the transformation of armed Islamist movements into deradicalized factions; assess how and to what extent women's empowerment is breaking down patriarchy; and analyze the rise of non-state actors such as Hizbollah and Hamas that rival central political authority. The book concludes with data tables that provide a quantitative guide to some aspects of these regional dynamics.